31st March & 1st April
Last weekend I had the immeasurable delight of catching two of Ellen Kent’s 2017 operas. Nabucco & Aida, both by Verdi. This composer has a special place in Ellen’s heart, & handling Nabucco especially is always an emotional experience for her, having been the first opera she ever produced. This was Friday’s opera, & seeing as my two daughters (ages 7 & 9) had invited their pals for a sleepover – I mused upon introducing them to the opera while they were under my wings, so to speak. So gaining permission from the other poems, we dressed accordingly & all went to the opera.
Nabucco is an Italian-language opera composed in 1841 by Giuseppe Verdi to a libretto by Temistocle Solera. In essence, Nabucco is a collection of Old Testament tales which follow the adventures oof teh Jews as they are persecuted by King Nabucco (Nebuchadnezzar II). It is globally famous for the epic, cinematic, hauntingly melodic Va Pensiero – Chorus of the Hebrew Slaves – & Ellen Kent’s inescapable penchant & reputation for handling such potentially hot potatoes with professional & entertaining creativity was proven yet again. My girls simply adored the magic of the moment. ‘Mother, do they sing all the way through?‘ asked my seven year old, but then returned the gaze mesmerised to the stage. Enraptured by the spectacular visual feast before them – including a real horse & the startling burning down of Solomon’s temple – French soprano Olga Perrier ‘s brilliant Abigaille, Moldovan baritone Iurie Gisca’s moody Nabucco & the orchestra’s sublime emotions, four of us fell in love with the opera that night, while the other – myself – could not wait until the morrow.