Aug 11-15, 17-22, 24-28 (21.50)
Brilliant! Brilliant! Brilliant!
A unique and very clever stage production bubbling Andy Warhol Art Pop Panache. A love Story told in three parts that coexist together through the medium of Opera. With a String quartet and a Hip Hop band, blending classical music with funky electronica, this is a feast for senses, that is at once lovely to witness. The cast are all extremely good looking and the genius of the book and stagecraft is nothing less than entertainment at its very, very best. Like a sailor to a siren I had been drawn to the beauty of The Countess singing her part in The Marriage Of Figaro on The Royal Mile after afternoon prayers in Saint Giles. The Countess had a face that was equally as beautiful as her voice. but it was her voice that stole me. So I pleaded with the Mumble editor to arrange for me to review this magic piece work. What I witnessed in this capacity was not what I was expecting. But this made things delightfully entertaining.
It all begins with the heroes of the show settling in on the cuddle couch. Amelia has just secured a job as a Lawyer and Stephen is a struggling composer, both are at the end of a busy day & Amelia wants to watch Kim Kardashian’s televised 72 day marriage with NBA Basketball Star Kris Humphries , while Stephen wants to watch The Marriage of Figaro. At first compromise with the remote control for the telly is workable. Now this is when the stagecraft bursts alive and the switch between Rhythm and Blues and a chamber orchestra becomes palatable. When the remote control was pressed by Amelia, her choice was represented on the left side of the stage. Kim all figure hugging pants and lace sexiness, with the passion of a new married couple, Kris all butch muscular testosterone with one thing on his mind and it wasnae basketball.
When Stephen takes control of the box we are taken back in time to the Marriage Of Figaro. The Count is being a bit of a canute, wooing Wwmen with his literary skills, The Countess gets wind of this and this is where the problems start. Both the Count and the Countess looked fantastic. All period frills and elegant ball gowns. It was right up Divine’s street, Once a New Romantic always a New Romantic. So on the right hand of the stage a fully blown opera. With the Countess giving a mesmerising performance (Divine was awestruck) this is when the stage lighting was brought into full effect. Two marriages on the brink of collapse and one relationship struggling because of telly choices. All sung in fine voice. Sexy & marvellous & sexy entertainment indeed.
Reviewer : Mark ‘Divine’ Calvert